The plug-in's Graphic mode allows far more detailed correction of the individual notes of a take, and is certainly not for beginners. In most cases where the input signal is fairly clean, the default setting of around three-quarters of the way up should be fine.īy using Auto-Tune on a clean, untreated vocal take, and adjusting the Retune control carefully, starting from the 'slow' end of the scale, you should be able to achieve transparent pitch correction.
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Again, it's intuitively labelled with 'relaxed' at one extreme and 'choosy' at the other. The Tracking control determines how Auto-Tune responds to low levels of spill. Whenever they sustain a note, however, it will be pulled smoothly into pitch. Setting a longer correction rate - move the knob/slider to its halfway point or below - allows a singer's natural bends, scoops and vibrato to pass through without obvious modification. If you've already experimented with setting this control as fast as it will go, you'll have heard the familiar pitch-quantising effect that's been done to death on countless records since Cher's single 'Believe'. You could think of it as the equivalent of a compressor's Attack control, and it's helpfully labelled with 'fast' and 'slow' at either extreme, although a numerical value is also shown. There's a control called Retune - it appears as a rotary knob in version 3's GUI and as a slider in earlier versions - which adjusts the rate at which pitch correction takes place. The secret to making Auto-Tune sound natural is in not trying to make it correct sounds too quickly. This could be contributing to the 'warbly' effect you're encountering, so make sure you have set the plug-in to work off the appropriate key and scale type for the melody you're treating. You can also leave Auto-Tune set to a chromatic scale, but I've found that this rarely works perfectly, especially if the singer uses a lot of bends or vibrato, as you can end up creating trills between two adjacent semitones. Auto-Tune then uses a pitch-shifting algorithm to adjust the pitch of the input to the nearest note in a preset or user-definable scale.
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The plug-in works by detecting the pitch of the incoming material in real time.
#AUTO TUNE EFX 3 HOW TO FIX MONO ONE SIDE PLUS#
On the plus side, it means you can treat a messy guitar solo that includes double notes or partial chords and they will all be ignored, leaving Auto-Tune to do its job only on single sustained notes. This means if you have a vocal track with a lot of spill from other sources, Auto-Tune may refuse to work properly.
![auto tune efx 3 how to fix mono one side auto tune efx 3 how to fix mono one side](https://i1.wp.com/crackedrar.com/wp-content/uploads/2019/07/SzcZ-Orchestra-Enigmatica-v1.02-KONTAKT-270x270.jpg)
It is important to note that it can only handle monophonic sources, so if it sees complex mixed material, or sounds that have been treated with delay or reverb, it will tend to pass those sounds through untreated. Can you offer any advice?Įditor In Chief Paul White replies: Auto-Tune is designed to address the problem of vocal pitching imperfections, though I've also used it successfully on other instruments, including electric guitar solos and fretless basses. Even when using the plug-in's Automatic mode, I can't get a good sound out of it - the corrected voice sounds 'warbly' and fake.
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I've recently started using the Antares Auto-Tune plug-in (version 3), and I need help! I used it recently on a male vocal that needed tuning.